Search: Starring Owen Wilson

How can you refuse a movie that offers a POV shot of inside a snake's belly?

The film goes for broke. No safety net. No apologies. Believing in itself.

Let's hope that Pixar hasn't run out of gas.

It has a kick in its heel and a nice surprise at the end

Oddly, Pixar don't seem to have many fresh ideas for wringing humour out of their what-if-we-were-all-cars idea, as a result of which it feels as if it has been awkwardly sandwiched together with the plot from another film.

Chaotic, funny, beautifully shot and performed with a childlike deadpan.

Remarkable for delivering pointed observations with a comic touch.

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

It all has a very particular flavour. Even a new one.

The script is dangerously low on laughs and appears charmless

An emotionally engaging tale that sucks you in with its gentle humour and melancholy.

If the plot is poor, the direction takes dull to new levels of blandness.

While the chase scenes are effective, the jokes feel like the ghost of much better one-liners.

Remakes don't have to be ten times the size. They usually are. And ten times worse.

This is the tail end of the good times, Doc and his cohort seem as though they are fading out.

The script is weak and tackles the story with such superficial lightness that nothing makes an impact.

Anderson creates sealed, self-supporting worlds, crammed with excruciating detail.

The strength of this story is its simplicity, yet, at a full two hours, that's also its weakness.

As painful as a kick in the pants.

The farce is underplayed, which is exactly right.

For some, Midnight In Paris will be first love; for others, a delicious encounter with an old flame.

The film’s biggest strength is its imaginative special effects.

The special effects are truely magic

The feeling of making it up as they go along is well done

Stiller, Paltrow, Murray and Luke Wilson needn't have bothered. Their characters are stuck in ruts.

Victorian London is as phoney as some of the accents.

The cast are terrific, and the comic set pieces are handled with precision and impeccable timing, even if not all of the jokes hit home.

Chan's fight choreography is always imaginative...The extent of his skill continues to amaze.

t's a slight premise, but it's played for laughs throughout, pastiching not only the TV show, but the buddy genre and the Seventies in general.

Will have you laughing until you're sore.

Low-budget charmer shows a different side and range to Owen Wilson.

The film has predictability sewn into its DNA

American comedies are going through a bad patch. Wit is in short supply.

The humour exaggerates the worst excesses of Saturday Night Live.